Karen’s nest doesn’t stay empty for long. He’s a very naughty boy!”), the film explores Jesus’s life by obsessing over the context around it. Through a series of interviews with former collaborators, friends and family, Schwarz helps paint a picture of an extraordinary boy who lived so far outside what was considered “normal,” he had no choice but to blaze his own trail. Nearly two decades prior, in an ill-advised attempt to halt global warning, the government inundated the atmosphere with an experimental chemical that left our planet a barren, ice-covered wasteland. Jessie and Jesse are great. Like some of the best documentaries of our time, 13th is not just a film, but a demand; it’s a call to reject dangerous reiterations, specifically newer and newer Jim Crows. All of it amounts to a one-step-forward-one-step-back appraisal: There is much to cull from the travails of Andromache the Scythian (Charlize Theron), an immortal warrior who, thousands of years later, still questions the purpose of her own endlessness, and sequels, given Netflix’s ostensibly unlimited resources, are all but guaranteed—but one wishes for more capably clear action auteurism, even when Prince-Bythewood’s action chops confidently step up. After Kaiju ravage Australia, two siblings pilot a Jaeger to search for their parents, encountering new creatures, seedy characters and chance allies. —Shannon M. Houston, Year: 2020 Director: George C. Wolfe Stars: Viola Davis, Chadwick Boseman, Glynn Turman, Colman Domingo, Michael Potts Genre: Drama Rotten Tomatoes Score: 94% Rating: R Runtime: 94 minutes. Love, the film posits, is a catalyst; love helps reform identities in transgressive and transcendent ways. Vir Das is one of India’s most celebrated comedian and with the addition of this comedy special his tally rises to 4 exclusive comedy specials for Netflix. So she adopts a pseudonym on advice from her friend, Shauzia (Soma Bhatia), who is in the very same position as Parvana, and goes about the business of learning how to play-act as a dude in a world curated by dudes. It stands on its own as a smart comedy from start to finish. These aspects of the zombie plague are always hinted at, never extrapolated, but it enhances the profound feelings of loss and sadness present in Ravenous. No art exists in a vacuum, but The Other Side of the Wind, more than most, bleeds its own context. Both Charles Foster Kane, the center of Orson Welles’ 1941 masterwork, and Daniel Plainview, the protagonist of Paul Thomas Anderson’s 2007 gem, are Shakespearean in their contradictions—too creative and too wounded to be fully condemned, too ruthless to be fully admired. Here, Christ is a mythic wolf and our kind idiot Lazzaro (Adriano Tardiolo) is a touched Lazarus; the difference between them is a matter of substance, time and place. Li is always just behind, the rest of the film edited together into one, continuous shot as Áila tries to figure out what to do to help Rosie, and Rosie tries to figure out how to keep from being victimized by virtue signalling outsiders. The documentary’s full title should also be a disclaimer: Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. If Taxi Driver now feels slightly overrated, it’s only because the movie’s DNA has crept into so many subsequent filmmakers’ efforts. You’ve got a subscription, you’re ready for a marathon, and you want only the best movies no Netflix to watch. Just before a game, Howard reveals to Garnett his grand plan for a big payday, explaining that Garnett gets it, right? When Scorsese’s principal characters aren’t scheming or paying off schemes in acts of violence, they’re throwing temper tantrums, eating ice cream or in an extreme case slap-fighting in a desperately pathetic throwdown. Catching her eye, Jake is a fellow charming survivor, explaining that he’s part of a group that travels cross-country selling magazines door-to-door. So Haywire proceeds, as Kenneth gets over getting dumped by Mallory by conspiring to kill her. Instead, it is remarkable for its foundation, for all of the substantive storytelling infrastructure that Kusama builds the film upon in the first place. So, too, does Burning, while also managing to give us Lee Chang-dong’s signatures: visual lucidity and artful morality. Charlie grabs the microphone, drained, realizing that he has to figure out what he has to do next, to re-put his life together again. It’s all undoubtedly stressful—really relentlessly, achingly stressful—but the Safdies, on their sixth film, seem to thrive in anxiety, capturing the inertia of Howard’s life, and of the innumerable lives colliding with his, in all of its full-bodied beauty. —Graham Techler, Year: 2018 Director: Alice Rohrwacher Stars: Adriano Tardiolo, Alba Rohrwacher, Luca Chikovani Genre: Drama Rotten Tomatoes Score: 97% Rating: PG-13 Runtime: 137 minutes, It’s very difficult to get into too many details about Alice Rohrwacher’s Happy as Lazzaro without spoiling it—which seems a ridiculous thing to say about a film that starts off as a rural Italian take on Dostoevsky’s The Idiot, but you’ve got no idea until you’re watching it. —Shannon M. Houston, Year: 2019 Director: Steven Soderbergh Stars: André Holland, Zazie Beetz, Melvin Gregg, Sonja Sohn Genre: Drama Rotten Tomatoes Score: 93% Rating: NR Runtime: 90 minutes, Members of the “keep your politics outta my sportsball” crowd will probably hate High Flying Bird, Steven Soderbergh’s basketball drama, his latest experimentation with iPhone and his first collaboration with imminent playwright Tarell Alvin McCraney (of Moonlight fame and success). High-strung, twitchy and tense during a nearly five-minute monologue, Levee seems to sense the window to his dream is closing: Time is running out. At nearly two-and-a-half hours, Rolling Thunder Revue is overlong but also overpowering, inconclusive yet undeniably stirring. A lonely comic book fan, Les Franken, has a reaction to medication and becomes convinced he's a superhero. The Hilda movie special is an upcoming 70-minute movie special for the animated series. Netflix and third parties use cookies and similar technologies on this website to collect information about your browsing activities which we use to analyse your use of the website, to personalize our services and to customise our online advertisements. I wouldn’t even know where to start. —Andy Crump, Year: 2018 Director: Orson Welles Stars: John Huston, Peter Bogdanovich, Robert Random, Susan Strasberg, Oja Kodar Genre: Drama Rotten Tomatoes Score: 83% Rating: R Runtime: 122 minutes, As gaudy and inexplicable as its title, The Other Side of the Wind nonetheless sings with the force of its movement whistling past its constraints. Reserved and immersive, introspective and outward-looking, old and new—some have accused Roma of being too calculated in what it tries to do, the balancing act it tries to pull off. —Lee Tyler, Year: 2019 Director: Craig Brewer Stars: Eddie Murphy, Keegan-Michael Key, Mike Epps, Craig Robinson, Tituss Burgess, Da’Vine Joy Randolph, Kodi Smit-Mcphee, Snoop Dogg, Ron Cephas Jones, Barry Shabaka Henley, Tip “TI” Harris, Luenell, Tasha Smith, Wesley Snipes Genre: Comedy, Drama Rotten Tomatoes Score: 97% Rating: R Runtime: 118 minutes, “I want the world to know I exist,” Rudy Ray Moore (Eddie Murphy) declares in Dolemite Is My Name. —Tim Grierson, Year: 2012 Director: Chris Butler, Sam Fell Stars: Kodi Smt-McPhee, Tucker Albrizzi, Anna Kendrick, Casey Affleck, Leslie Mann, Jeff Garlin Genre: Animation, Fantasy Rotten Tomatoes Score: 89% Rating: PG Runtime: 96 minutes, The beautifully crafted stop-motion film ParaNorman opens with two important pieces of information. 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